Milan Chiara Margarita Cozzolani was a nun at the convent of St. Radegonda in _______. Milan Florence Rome Venice
doxology Cozzolani’s Magnificat closes with a particular prayer of praise to God called the ______. Magnificat doxology vespers Mass
false During the Baroque era, the Catholic Church offered a wide variety of options for women to express their spirituality. True False
the virgin mary Many women composers in the Baroque era and before felt a particularly strong affinity with which biblical character? St. Peter St. Paul St. Joseph The Virgin Mary
true Music has often been a means for marginalized people to voice their perspective. True False
false Music was not a part of the life of nuns in convents in the Baroque era or before. True False
false Priests and monks were brought in to convents to sing the lower parts in polyphonic music. True False
true The Baroque era offered few musical possibilities for creative women. True False
The nuns adhered to the church ban on singing polyphony. Which of the following did NOT take place at the convent of St. Radegonda when Cozzolani was there? Cozzolani joined family members already in the convent. Cozzolani was the director of one of the convent’s two choirs. Cozzolani composed and had her own music published. The nuns adhered to the church ban on singing polyphony.
Magnificat Which of the following is a type of music dedicated to the Virgin Mary? Terce Nones Magnificat Prime